International Garden Photographer of the Year (IGPOTY) is reminding interested photographers that the submission deadline is getting closer and closer.
Wednesday, November 24, 2010
IGPOTY Competition Deadline Imminent
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14 Ways To Significantly Improve Your Photography Today
© James Brandon | All Rights ReservedAs photographers and artists, we all hit creative walls. We work and work to improve our skills, and we learn new things, and then it seems we hit a wall. Maybe our images start looking dull to us, like they are missing something. Sometimes I think we over complicate problems like this, searching for some magical trick out there that will give us the creative perspective we are looking for. If you are like me, you know that usually doesn’t work. Instead, here is a collection of tips you can go out and try today to improve your photography and creative eye. Pay no attention to the order, they are all completely random and spontaneous.
I can’t stress enough the importance of art appreciation as a photography. If you want to get better at photography, become an admirer and student of the world of art. Visit a museum and spend the day studying the work of great artists. Better yet, take a pen and paper with you. When a painting or work of art grabs your attention, jot down why. Write down everything you love about it, and the reasoning behind it. If you find something you don’t care for, write that down too.
Museums are abundant in most big cities. In fact, in a lot of cases, they are even free. If they aren’t free, there may still be ways to get in for free. For example, if you have a debit or credit card through Bank of America, you can get in free at over 100 museums nationwide.
Take a day and focus on perspective. Experiment with different camera angles that you may not have tried before. This tip is only limited by how far your willing to get out of your comfort zone. If your shooting a portrait session, bring a ladder with you. If you don’t have a ladder, climb a tree or find a perspective above your subjects head. Not only is this different, looking up is almost always flattering to your subjects features, especially if they are prone to double chins! If you are photographing flowers, consider shooting them from underneath. While this may get you dirty, I promise it will be rewarding. Play with the angle of the sun and capture the translucency of the flower as the sunlight pours through it. A fresh perspective can almost always give you that creative boost your looking for.
Visiting a zoo is one of my favorite things to do as a photographer. Mainly, because I’m doing it simply for me. There is no pressure. I don’t have a client that wants a certain type of image, I don’t feel the need to create a certain look or feel to the photos. It’s just me, my camera and hundreds of exotic animals at my fingertips! Zoos are cheap, and most of them have one day a week where you can even get half off.
Here’s a challenge: When you go, try and conceal the fact that the animals are at the zoo. That means I had to get creative with the way I framed my shots. This can be challenging at times, but it’s very rewarding. If there is a fence, an obviously fake looking rock or object, or if the surroundings just don’t click, don’t take the picture. Or, simply change your perspective until the framing works. This mindset will get your creative juices flowing, and I promise you will have a blast!
That’s right, minimize. While being able to shoot thousands of images is nice, it can also dull your creative thought process. With seemingly unlimited images you can just click away, firing off shots left and right all day long. With this mentality, you’re sure to get a few keepers. Right?
Consider this instead; next time you’re out taking pictures (and not for a client!), take the smallest memory card you have. One that will only allow you a very limited number of shots. And don’t take any other cards. Or, if you only have large capacity cards, just set a limit in your head of only taking 50 images the entire day.
All of the sudden, there is a certain and definite brevity in the amount of images you can take. You can’t just walk around snapping pictures at everything you see. This will take you back to the limitations of film, and you will have to carefully consider each shot you take. The flip side of this is that (again) your creative juices will begin to flow, and you will be more alert and keen to what is going to make a good image.
In his book Visual Poetry, Chris Orwig states that, “Even without taking pictures, carrying a camera enhances life.” I couldn’t agree more. Carrying a camera is an instant way to put your senses on high alert. It causes you to look at the world as if your camera was always pressed to your eye. It gives you a reason to slow down, to take everything in, no matter where you are. Commit to carrying your camera with you everywhere, at least for a certain amount of time. Take pictures knowing full well that the world may never see them. Create photographs of everyday things, moments in time that normally wouldn’t require a photograph. The trick will be to see these subtle events in a new way, and to find a way to make them interesting. Even if you just use your camera phone, this tip is a solid way to improve your creative eye.
The moment you adopt the mindset that you’re the best at something (or even the best in your circle), that’s the moment you become unteachable. Great photographers like Douglas Kirkland always keep the mindset of a beginner. I’ve met my share of people who think they know it all. You know the kind. You try and tell them something that you’ve learned, and they shoot you down, saying they already knew that. Or they refuse to except anything new because they aren’t willing to change their ways. I’m telling you, this is a death sentence to your creativity. Set aside your pride and be willing to learn from others, even if you feel you’re at the top of your game. If are at the top, be willing to learn from others who aren’t.
Pick a color and create a portfolio around that color. If you have time, do this with several colors. Go out and create images that obviously and predominately focus on a single color. If you choose blue, consider subjects where this color is evident. Focus on pictures by water, or the sky. Go out past sunset and into the realm of “nautical twilight,” when the setting sun casts shades of deep blues across the sky and earth. Find textured walls that are painted in different colors and shades of blue. If you choose yellow, scout out a field of sunflowers. Shoot subjects straight into the sun, bathing the frame in golden sunlight. You can make the color even more obvious in post processing by applying filters of your chosen color over the image.
For the most part photographers are nice, generous, and giving people. Sure, there are plenty out there who won’t give the time of day to a photographer looking for a mentor, but who wants to shadow or even follow the work of someone like that? Find a photographer that inspires you and form a relationship with them. Offer to take them out to lunch. If you’re lucky, you will be able to learn from that person, and maybe even shadow them. Ask to hold lights for them during their photo shoots, or just carry around their gear. You will learn a lot just observing how they interact with their clients. If they shoot landscapes, the same applies. Offer to carry their gear as they scour the places they photograph. Invite them out for a photo walk and offer to buy dinner, or even a drink afterward. Becoming a great photographer is a tough road to take by yourself, having a mentor can make the difference between success and failure.
Also known as the Golden Mean, Divine Proportion, the Fibonacci Rule, the Rule of Phi, etc. The Golden Ratio is a common ratio discovered by Leonardo Fibonacci and found throughout nature, architecture, and art. The ratio is believed to make things appealing to the human eye. In nature, it is also believed to be the most energy efficient form of design among living things. There is some debate around it, but it is very interesting. The Golden Ratio is basically the “Rule of Thirds” on steroids. If you have a few minutes, visit YouTube and watch this very interesting (albeit sort of creepy) video of the Golden Ratio. Becoming knowledgeable on topics like the Golden Ratio can drastically increase your chances of creating images that attract viewers attention.
If there is a setting on your camera you are unfamiliar with, go to your camera and dial over to that setting. Now, commit to yourself that you won’t take your camera off that setting until you are fully comfortable with it. If you are only comfortable with automatic, I wouldn’t suggest going straight to manual. But certainly get out of the automatic settings and into the creative ones. You should view the automatic settings on your cameras as poison to your creativity and photographic skill. These settings take away your say in how the image will look, just short of composing the frame and pressing the shutter. Start out with either Av (Aperture Value) or Tv (Time Value) or P (Program) mode. Dedicate at least an entire day to shooting under just that one setting. If you need help, there is always a wealth of information on this site, but the most readily available resource is your cameras manual. Most photographers don’t realize how much they can learn by simply reading the manuals that came with their cameras. I’ve been known to even read my manual on plane rides. What better time than when you have nothing else to do? Once you get one setting down, move to the next one, and work your way up to the infamous “Manual” setting.
There are a number of articles on the web similar to this one, giving a list of ways to get better at photography. Almost all of those lists will tell you to go online and troll the work of other photographers for inspiration. While this may be a good idea in moderation, I’m tempted to take the side of staying away from it. How are you going to develop your own style by mimicking the work of others? How are you going to exercise your creative juices when you get all your ideas off the coat tails of other artists? Owen Shifflett of Viget.com wrote an incredibly interesting (and incredibly popular) blog post called “Consumption: How Inspiration Killed, Then Ate, Creativity,” and I think any photographer or artist, new or seasoned, should read this article.
If you’re preparing for a portrait session of a family, avoid hopping online to scavenge other photographers sites for posing ideas and post processing looks. Where is the uniqueness in that? With the age of the internet, any bit of information is available at our finger tips within seconds. When we immerse ourselves in the work of other photographers, we end up ripping off our own creativity. Instead, sit down with a pencil and paper and start brainstorming. It’s going to be tough, it’s going to take some time, but what if out of all that, you came up with something completely unique? Something completely yours? After all, how do you think all these other poses came to be? What about all the filters, actions, and presets in your post processing? Think about it, and act on it.
Getting better at anything involves getting out of your comfort zone. If all you do is photograph families and seniors, go out and shoot landscapes one weekend. All of the sudden, your images are going to require completely new camera settings. No more people to pose, no more assistants to hold your flash, no more backdrops or props, no more shallow depth of field or fast shutter speed requirements. Now you have to think about your subject in a complete new way. A landscape doesn’t listen to you. You can’t tell it to move the left or right, or use a flash to reveal a bit more light in a certain area. For the most part, landscapes require deep depth of fields, slower shutter speeds, tripods, and a whole new eye for composition and lighting. If you spend time photographing things your not used to, I promise you will come away with new ideas for what you are comfortable shooting. And a deeper understanding of your camera too.
So far (according to the latest poll here at DPS), somewhere around 70% of readers use a tripod less than 50% of the time. Personally, I know very few photographers who carry a tripod around with them. And you almost never see it with amateurs.
Something interesting happens when you attach your camera to a tripod. Suddenly, everything slows down. There’s no more snapping photos left and right and quickly filling up memory cards. When you use a tripod, you really have to take the time to compose your image. This mainly happens because you can no longer move the camera around freely. You now have to adjust the tripod to be level with the horizon. You have to move it left or right manually to adjust the position of your subject. Just by doing this, you have to actually slow down and really think about your image.
Go out and take 10 images hand held, then immediately take 10 more on a tripod. See which set comes out better. I’m willing to bet it will be the latter.
One of the best things you can do as a photographer is network with other photographers. Sure, networking online is a great tool and shouldn’t be overlooked, but having face to face interaction with like minded people is so much better! There are plenty of ways to seek out local photographers. You can join the local PPA division in your city, or just google photography clubs in your area. One of the best clubs I ever joined was a local photography group through Meetup.com. This group has a wealth of very talented photographers and they hold around 4-6 events every month! Whether it’s just doing a photo walk around the city, or getting a VIP pass to the local sports stadiums, these groups are a blast to be a part of!
There you have it, 14 ideas you can implement immediately into your photography. Of course you can’t do all of these at once, but any time you feel you need a boost, be sure to check back here. If you have more ideas and/or tips, I’d love to here from you. If these tips have helped you in any way, I’d love to hear from you as well. Be sure to leave a comment below or send me a tweet (@jamesdbrandon) and let me know your thoughts. Be sure to suggest this page to any other photographers you may know. Thanks and happy shooting!
James Brandon is a photographer located in Dallas and a lover of iced tea, Chipotle and his wife Kristin (but not in that order). Be sure to check out his daily photo blog and follow him on twitter at @jamesdbrandon.
iClone4
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iClone4 from Reallusion is an affordable, real-time 3D animation tool with stereoscopic output capabilities, which allows any Photoshop project to be turned into 3D stereo prints. Adobe Photoshop users can now import image layers into iClone4 to create 3D Stereo prints in a matter of minutes, the company says. iClone4 is available at a list price of $149.90. Reallusion has also created a specially designed landing page for Photoshop users to visit, and learn all about the benefits and tools with several step-by-step tutorials made exclusively for graphic artists. To see more, just visit the website below.
Website: Reallusion
Reallusion Press Release
Reallusion empowers Photoshop Users with 3D Production Tools.
iClone4 provides fast and affordable ways to create 3D Stereo prints while saving on stock image purchases.
NORTHAMPTON, UK, November 23rd, 2010 - Reallusion, Inc., an award-winning developer of video creation software for real-time 3D animation, pushes its software boundaries further by introducing a new way for Photoshop Users to create 3D Stereo prints from existing Photoshop projects, and also save on stock image purchases with the use of iClone4.
iClone4 is an affordable, real-time 3D animation tool, with stereoscopic output capabilities, that allows any Photoshop project to be turned into eye-catching 3D Stereo printouts. With this new and powerful addition to its arsenal of high-quality image production, the Photoshop Community can now import image layers, into iClone4, to create 3D Stereo prints in a matter of minutes.
iClone4’s native 3D environment is ideal for arranging and layering images in X,Y and Z-axis which allows artists to have full control over any 3D effects by simply dragging layers around in real 3D space. iClone4 also delivers a fast and easy way of exporting an entire scene in stereoscopic 3D with just one click.
Additionally, there is no need to search through thousands of expensive stock image libraries to find that one unique image as Reallusion has released a series of exclusive content packs titled ‘Mr. Pose & Friends’ which literally allow Photoshop Users to customize and animate 3D figurines to any pose or camera perspective they need. These new content packs come with posable figurines, accessory kits and even ready-made animations that can be activated by anyone.
Graphic Artists can also display 2D images on 3D objects by simply importing images and dropping them onto any texture surface with material channels, bump channels, specular channels and more to create ultra-real scenes with easy-to-activate high dynamic range visuals.
“iClone4 gives Photoshop artists a new way of adding 3D content to their artwork. Accessory packs such as Mr. Pose & Friends make it quick and easy for artists to enhance their artwork with 3D models.” – said Denny Tang, the founder of Photoshoptutorials.ws, who this month launched an exclusive iClone and Photoshop tutorial on his website.
Reallusion has also created a specially designed landing page for Photoshop Users to visit, and learn all about the benefits and tools with several step-by-step tutorials made exclusively for graphic artists. To see more, just visit: http://www.reallusion.com/event/2010/photoshop/
The page introduces 3 great new pipeline tutorials for Photoshop Users to:
Create Advertisements with 3D Posable figurines
Turn Photoshop projects into Stereoscopic 3D printouts
Export OBJ models into Photoshop for 3D paint editing and more
Pricing and Availability
3D Pose-able Figure - Best 3D Creativity Solutions
iClone 4 Standard + iClone Combo Pack: Mr. Pose & Friends
List Price : USD149.90
Special Price: USD104.93 (30%OFF)
To know more, please visit: http://www.reallusion.com/event/2010/photoshop/
About Reallusion, Inc.
Headquartered in Silicon Valley, Reallusion is a leading-edge software developer providing Hollywood-like 3D cinematic animation tools for PC and mobile platforms. Reallusion’s pioneering storytelling technology excelling at character animation, facial morphing and voice lip-sync allows fast creation of interactive avatars for 3D real-time filmmaking and previsualization for professional post-production. Their powerful yet easy-to-use tools make character animation accessible to PC users of all skill levels.
Reallusion’s development of core technologies and growing base of intellectual property firmly establish the company as power among emerging technology innovators, furthering their graphic and imaging embedded kernels to top-brand device manufacturers worldwide.
Getting Close and Personal: 11 Tips for Close-up Candid Street Photography
In this post New York Photographer James Maher shares his approach to candid street photography.
Tip #1: If you see a banana stand, hang out near it.Street photography is not easy. It tests your nerves, your hand eye coordination and your instincts, and lord knows I’ve missed more ‘moments’ than I can count, but the satisfaction of capturing that split second where everything comes together can make it all worth it.
This article is going to focus specifically on tips to help you get your camera as close to people as possible without them noticing. It is certainly not the only way to do street photography, but it is a very effective way. It helps you catch the world around you in an uninterrupted fashion. And if you happen to get caught then so be it, just smile and own up to what you are doing. You’ll be surprised at how understanding most people are about street photography once you are honest with them.
Now for the record, I use a pretty beefy Canon SLR, primarily because I can’t afford the Leica M9 and the Fuji X100 hasn’t come out yet, but I’ve still figured out ways over the years to get up and close with it without being noticed.
Speed is key and how you hold the camera can make all the difference in the world. I like to wrap the camera strap around my wrist instead of around my neck. It is much quicker and easier to maneuver the camera this way and it also allows you to easily ‘shoot from the hip’ if you need to. When walking down a street I usually hold the camera in front of me at a 45-degree angle, halfway between vertical and horizontal, with my finger on the trigger. This way, I can easily get my camera into the right position if something spontaneous should happen, without tipping off the subject that I am going to photograph them.
Unless you have a very small rangefinder, the reality is that it is much easier to photograph someone without them noticing if you don’t have to raise the camera above your chest or look through the viewfinder.
The advantage to shooting from your hip with the camera strapped to your wrist is that it really becomes an extension of your arm. You don’t have to shoot in front of you and can shoot sideways or even backwards if you need to. It frees you up to integrate your lens into a situation without anybody noticing. You can shoot from the hip with either both hands or one hand holding the camera, but one hand gives you a little more freedom to aim in any direction. Just keep your arm straight down at your side and then angle the camera up and in whichever direction the scene is happening. Then, if you need to, you can raise your arm or bend your elbow a bit to get the exact frame, but be discreet about it.
I prefer a 35mm (or 20mm on a cropped sensor.) When you shoot from the hip you have to get used to what the camera is going to catch without actually looking through the viewfinder. The prime lens allows you to easily anticipate this and with some practice it will eventually become instinctual. The wide angle helps because it allows you to get closer while also capturing more of a scene and it really injects the viewer into what is happening.
Also, wide-angle prime lenses are usually very light and small, are much easier to maneuver and are much less noticeable than the larger zoom lenses.
Another advantage of shooting from the hip is that you can catch people from a very low angle. I often prefer my candid photography to come from a close-up and low angle because it elongates people and allows the subject to fill the frame. This is obviously not true for every situation, but a lot of the time this is my personal preference.
The slight diagonal angle can be very pleasing, especially for vertical portraits. The angle injects some energy into a photo and allows you to catch a bit more of the surroundings. It creates a lead for the eye to enter the photo and keeps it there, bouncing around between the subject and its surroundings.
As a street photographer, you can benefit a lot from acting. You might play the part of a spaced out tourist, engulfed in something happening across the street, or perhaps someone who is lost and has to stop for a moment to collect himself, but you are certainly not someone who looks like he is about to take a photo.
I like to act like I’m walking around daydreaming, just spaced out by my surroundings and looking in the somewhat opposite direction of what I want to photograph. I will make my path intersect in the right way with the subject and then stop as if I’m gathering myself or as if I see something interesting. My body will often be angled away from the subject while my camera will be at my hip pointing up at it. Then I take a photograph or two and walk out of there like nothing happened.
Most importantly though, is to never point your head directly at the subject, or god forbid, make eye contact! There is something almost evolutionary about eye contact that will make a person immediately notice you. Even for a split second, it will ruin your cover. Instead, try to look ‘through the person’.
Sometimes stopping completely is not an option. It will just look too obvious. But at the same time you have to be completely stopped to take a photo. No matter how fast your shutter is, if you are slightly moving while taking a photo then it will probably be ruined.
So there is a move called the stutter-step (can you tell I’m a basketball fan?). It’s basically just a very quick stop in full stride, almost like you freeze for a second in mid motion. It probably looks a bit ridiculous to anyone who’s actually paying attention, but it happens so fast that nobody will notice. Once you try it out you’ll understand what I’m talking about and it takes a little bit of practice to get used to.
I often shoot on manual because I like to have my exposure dialed in before taking these types of photos. When getting close-up you never really know how the camera is going to read a situation and that often leads to a lot of messed up exposures. Manual shooting on the street however can take some serious getting used to, because if you suddenly go from a sunny street to a shady street then you will have to remember to change your settings. I usually keep a sunny and shady general exposure setting in my head and flip back and forth between them.
But what happens then if something sudden occurs? Say you’re walking down a sunny street, settings set up perfectly, when all of a sudden you look to your right and notice a couple of locksmiths in a very dark van, one passed out and one about to light his cigarette? The moment is about to happen! Well in this case I quickly switchover to Aperture Value on my camera, which I have preset with a low aperture value. Even though you will have a loss of some depth of field, you will be able to have it work in both extreme bright or dark situations with a fast enough corresponding shutter speed. You can also do this with shutter value as well.
It will help you blend in.
This is a little out of the realm from what I have been talking about so far, but after all there are a million different ways to take a great street photograph. Search out an interesting background and then wait for the right person to come into your scene. Be patient, it might take some time.
The accompanying photo is not close-up, but I waited for hours for the right person to stop in the right position and it eventually paid off.
This practice also allows you to be in the correct position before the person comes into the scene, so you can ::gasp:: actually look through the viewfinder! Just make it look like you are taking a photo of the background. Some of the best street photographs were planned instead of found. Find the right location and wait it out until the moment happens.
In this photo, because I wanted the camera focus to be on the NUTS street vendor stand (to emphasize the ‘nutty’ quality of this arguing group of tourists), it meant that I couldn’t get the people in foreground to be perfectly sharp. That just goes with the territory and sometimes you have to make some sacrifices. In this case I think it works… in black and white.
As a street photographer I’m much less afraid of blur and grain than a lot of people. The reality is that it’s not always bright out, you need a fast enough shutter speed and you don’t have the luxury of using a tripod. You will often be stuck with some blur, slight soft-focus or grain from a high ISO.
Now this is only my personal opinion, but I think that these types of photos just look so much better in black and white. You can really turn something that looks terrible in color into a great photograph by making a good black and white out of it. After all, street photography is about the content in the photo, and black and white often helps to focus on that.
My biggest critique of street photographers is when I see a photograph with an extremely interesting subject, yet the photographer decided to shoot the entire street and make what should have been the entire photo become just a small part of the frame. Fill the frame with what is important and cut out everything else. Leave some room for the imagination.
Also, with a prime lens and fast moving subjects you’re not always going to be able to be in the perfect spot or catch the perfect angle on the fly. Don’t be afraid to crop in or improve the angle afterwards. This is not landscape photography, where you are always able to plan out every aspect of your image before taking the shot. You should get used to using the crop tool, even if it’s just for a slight correction.
Just remember that the hardest part of street photography is getting out of the front door. The moments are flying around everywhere, but you need to be there and be bold with your camera to be able to catch them. Now get in there and get close!
James Maher is street photographer based in New York. His primary focus is on the candid, rather than the posed portrait, to give small, uninterrupted glimpses into the true personalities of everyday people. See more from James at James Maher Photography or follow him on Twitter.
Guest Contributor This post was written by a guest contributor to DPS. Please see their details in the post above. Become a Contributor: Check out Write for DPS page for details about how YOU can share your photography tips with the DPS community.
Nikon D7000 DSLR in Short Supply, Act Now
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Tags: Christmas, d7000, dslr, gifts, holiday, Nikon, out of stock, supply
With the holiday season coming up gift givers are looking for unique presents to give those around them. Those with a photographer in their life may opt for a brand new DSLR that, though pricey, will sure to make the 2010 holiday season one to remember.
A perfectly capable DSLR that will make a perfect gift is the Nikon D7000. However, it seems that reports have surfaced today that supply of the D7000 is running quite low meaning there might not be any around in time for the holidays.
Luckily, reports say that Amazon.com has a limited supply of them and will continue to stock the D7000 as best as they can.
We’ll keep you posted.
via amazon
Tags: Christmas, d7000, dslr, gifts, holiday, Nikon, out of stock, supply
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Outdoor photographers thrive on that time around sunrise or sunset known as the “Golden Hour” as it provides possibly the best quality of light available to us. The warm tones make practically anything look good and while it’s predominant in landscape photography, some of the photographs below also demonstrate that the golden hour is a great time for shooting other subjects such as portraits and even macro. We think these photos capture the essence of why the golden hour is a great time to shoot almost anything.
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