Wednesday, January 19, 2011

The 5 Immutable Laws of Better iPhone Photography

The development of cameras in mobile phones, and more recently the iPhone, has been one of the biggest changes in photography for many decades. In this space of time, photography has gone from technically heavy and gear-reliant to a situation where almost everybody has a camera in their pockets at all times. And those cameras are only getting better. So in keeping with the idea that the best camera is the one you have with you, we have decided to put together a list of ideas to get better results from your iPhone or mobile phone camera.

Stabilise the Camera – In all but well-lit settings, mobile phone and iPhone cameras have trouble with capturing enough light to give you a crisp and well focused shot. In many cases (especially low light and shots of a moving subject) you are going to have to give it a helping hand.

She's Got Curvesphoto © 2009 Matt Burrows | more info (via: Wylio)

The first rule of thumb is to hold the phone horizontally with two hands (not vertically with one). That will help stabilise it to a point.

Now a lot of companies are coming out with heaps of accessories for this like tripods for your iPhone and whatnot, but in many situations you are not going to have something like that in your pocket or easily available. The single best way to solve this problem is to simply brace your phone against a stable surface. This is made a lot easier than many traditional cameras due to the fact that the phone screen is your viewfinder and you don’t need to put the phone up to your eye to see what you are going to be taking a shot of. Often you can brace the phone camera at arms length and still see what it sees.

There are no hard and fast rules here, but try to look for something that allows you to get a level shot too. Leaning your phone camera against a wall or doorway will make sure it’s level. A table or chair will also do if it’s stable.

This is really no different to what traditional SLR or DSLR photographers when they are caught in a situation with less than ideal lighting. Brace yourself or your camera against an immovable object will give you the best chance of getting a good shot.

Improve the Lighting – A lot of low light situations aren’t well captured by mobile device cameras (though this is improving with newer models having flash etc). Sometimes if the subject is moving in low light, you will just end up with a series of motion blurs on the final shot that aren’t anything resembling what you hoped you could capture.

Now, if you have an iPhone 4 or an Android or mobile with a built in flash, that is a great first step. A lot of us aren’t lucky enough to have that though. And sometimes even the flash on them isn’t ideal.

In many situations you are going to have to think on your feet about the environment you are shooting in. Something as simple as turning on an extra light or opening a window curtain will give you a much better lighting setup to shoot with an iPhone camera. Look for natural reflectors like white walls or surfaces too.

There are no hard and fast rules to improving the lighting situation when shooting on an iPhone because every situation is different. Just be aware that your camera will probably have issues in lower lighting conditions and that you need to look around for ways to improve that with what you have on hand.

2/6/09: Up & Upphoto © 2009 Bobbi Bowers | more info (via: Wylio)

Get Closer – We know that we sound like a broken record by including this one as it’s one of our common pieces of advice to people who ask how to take better photos and we have included it many times on this site, but the fact is that it is one of the best pieces of advice for any photographic situation.

You want to fill the frame with your shot, even on an iPhone or mobile. Most of the time that means getting physically closer to your subject. Sometimes it means lying on the ground or climbing up on something – just accept the fact that as a photographer, you will often get into positions that will make others laugh and sometimes scare small children – this is our burden. But if you really want a great shot then you will usually have to get closer to your subject in any way that you can.

We’ve said it before and we will say it again. The first three rules of photography are, “Get closer. Get closer. Get closer.”

Favor Strong Lines and Colours – The cameras on mobile devices don’t process detail particularly well – especially at a distance or in low light. If you’re thinking of getting a shot of that tree swaying in the breeze across the field at sunset, then you are going to have some problems.

This simply comes down to choosing your subject wisely and within the constraints of the gear that you have. Just as a an expensive 50mm lens isn’t suitable for taking close ups of the moon, nor is a mobile phone camera suitable for shooting the Le Mans 24 Hour race. Look for big and bold subjects.

Well lit architecture is an examples of something that can work well with an iPhone. The bold colours of street art can work well if properly lit too. Know your constraints and shoot with them in mind.

Jello on my jeansphoto © 2011 Shane K | more info (via: Wylio)
smothered in lovephoto © 2008 Alan L | more info (via: Wylio)

Don’t Forget About Apps – A little bit of software for a few bucks can make your life with an iPhone or Android a hell of a lot more easy when it comes to photography. And the great thing about it is that there are a heap of really great apps that you can get.

But what should you look for in an app?

There are some apps that handle both pre and post production. While the iPhone doesn’t have a zoom lens, a little creative coding by app developers means that this can be rectified (for example). On the other end, dealing with colour situations in common shooting scenarios such as landscapes, portraits, night shots or actions shots can be handled to a point with in-phone post production.

The iPhone app we are playing with most at the moment is Camera +. It covers a lot of these problems and a lot more. Plano is another one you might want to look at for panorama shots.

Don’t forget though that a lot of talented people are working hard on developing new iPhone and Android apps every day, so don’t be too rigid in your loyalties. Something better might well come out next week.

Conclusion

The iPhone camera will continue to improve as will the camera on any other mobile device. That is the beauty of technology. But working with what we have and the constraints it throws up is also a great way to improve your photography. Take advantage of the fact that you can now carry a camera with you everywhere. There has been no easier time to improve your skills through practice!

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Inspiring New York Timelapse Video

Over the weekend I came across the following wonderful Timelapse on New York and thought it was so inspiring that I wanted to share it here on dPS as a little taste of what can be achieved.

It’s by Josh Owens from Mindrelic – Enjoy!

The above video was shot on a Canon EOS 5d Mk II with a variety of lenses: 14mm 2.8L, 24mm 1.4L, 50mm 1.2L and 70-200 2.8L.


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Photography in the RAW DVD Winners

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The winners of our competition to win David Noton’s new DVD, Photography in the RAW, have been announced.


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Extreme: Weekly Photography Challenge

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This week your photography challenge is to take and share an image with the theme of ‘Extreme’.


The idea came from an email that I received this morning from a dPS reader living in the flood area of Queensland in my home country of Australia where there have been massive floods (the flood area is bigger than Germany and France combined).


The descriptions of the floods we’re seeing are ‘extreme’ as mother nature shows her force.


While we’re not all obviously able to witness such events I’m sure that a theme like ‘extreme’ will give us scope to photograph something whether it be an extreme weather condition, the extreme cuteness of a child, an extreme emotion, an extreme sport…. or anything else that you feel fits the theme.


Once you’ve taken your ‘Extreme’ photos – choose your best 1-2, upload them to your favourite photo sharing site either share a link to them even better – embed them in the comments using the our new tool to do so.


If you tag your photos on Flickr, Twitter or other sites with Tagging tag them as #DPSEXTREME to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.


Also – don’t forget to check out some of the great shots posted in last weeks Seasons challenge – there were some great shots submitted.


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MoviePlus X5 for Windows

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MoviePlus X5 is an easy-to-use video editor from Serif. Launching on 7th February, MoviePlus X5 offers 200+ video and audio effects, and users can burn their finished films onto DVDs and Blu-ray disks. The latest version provides adanced support for HD videos, an improved user interface and a range of usability enhancements, new tools and effects. Compatible with Windows 7/Vista/XP, MoviePlus X5 retails at £59.99.

Serif Press Release

New MoviePlus X5 Makes HD Video Editing Fun & Easy for Home PC Users

Home PC users looking for a fun and affordable way to edit, enhance and share videos of life’s special moments can benefit from the new MoviePlus X5, which launches on 7th February.

This powerful yet easy-to-use video editor from Serif, the award-winning design, publishing and creative software developer, helps anyone wanting to produce video content – whether they own a digital camcorder, flash pocket camera, mobile phone, smart phone or another video capable device.

MoviePlus X5 is perfect for novices who want to create movies and slideshows of weddings, birthdays, graduation ceremonies, holidays, sporting events and other personal occasions in stunning HD. Beginners will be inspired by the simple storyboard for creating polished movies with ease whilst the more experienced users will love the powerful unlimited timeline for greater control.

Video enthusiasts on a budget will appreciate MoviePlus X5’s powerful features and competitive price point. Those with video editing experience under their belt will also be attracted by an intelligent smart ‘proxy’ engine when editing footage, Blu-ray Disc™ and AVCHD™ DVD burning, unlimited tracks for video and audio, keyframe controls, blend modes and over 200 video and audio effects.

“More and more people are recording their special moments to share with friends and family – both in the home and on the internet,” says Gary Bates, Managing Director at Serif. “We have seen a myriad of devices explode onto the market, which enable users to easily record and play digital videos. So the need for a flexible video editor that appeals to users with no previous editing experience is greater than ever before.

“The latest version of MoviePlus makes video editing easy for the standard home user – people don’t need to own a top of the range PC or laptop to edit footage and will be impressed by the software’s reliability and performance. It’s also quick and easy to export a movie for playback on popular hardware devices like iPads and iPhones as well as upload a video online to social networking sites such as YouTube.”

New and improved features of MoviePlus X5 include:

• Advanced support for HD video - working with HD videos is now faster than ever with an improved smart ‘proxy’ engine and the ability to prioritise processes working in the background. Blu-ray Disc and AVCHD DVD burning - preserve your memories in high definition by burning movies to Blu-ray Disk™ or an AVCHD™ DVD directly from the software.

• New tools and effects - the new multi-trim dialog trims and splits video and audio into many separate clips. New effects have also been added to reduce video noise and camera shake.

• Usability enhancements - finding audio and video clips is quicker than ever before with Media Pane sorting and customisable keyboard shortcuts speed up user work flow.

• Improved user interface – the contemporary new look with intuitive panes makes it easier to find the tools needed to produce remarkable results in minutes.

MoviePlus X5 is compatible with Windows 7/Vista/XP and retails at £59.99. It is available directly from Serif at http://www.serif.com and from major retailers including Amazon and PC World. Existing Serif Software users should contact 0800 376 7070 for further information on upgrade pricing.



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What To Do When You Break Your Camera

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Photo Copyright Josh Kellogg


I hope you’re not reading this post because you just broke your camera. If so, read swiftly. If not, chances are you or someone you know has broken their camera at one point in life. I started early by leaving my camera on the top of my car at the age of 19 and turned a sharp corner out of a parking lot. ?Thump, Thump, Thump,? went my Minolta 7xi as it bounced across the roof and made a leap for the pavement, rolling through two lanes. Amazingly, even though the autofocus was broken and the camera house cracked, it still worked. Mostly.


The pit of the stomach feeling when I first realized what that was that I saw out of the the corner of my eye has come up a few times since, unfortunately. I’m not a klutz by nature, I’ve just handled cameras a lot and been around others who have. It happens.


But what to do when it happens?


Don’t Panic


As with any unfortunate event, the key is to not panic. Falling to pieces and getting overly emotional about the event will not help keep your mind clear and make the most of the situation. Panicking leads to other mistakes, which can be costly in their own right. Keep your cool! A bit of profanity is permissible.


Grab The Pieces, All Of Them


Once you are finished with your (minor) freak out, because you didn’t listen to my first bit of advice, start picking up the pieces. Unless you are in a calm setting, such as at home in the kitchen, you are probably out in public and need to make sure all the bits are grabbed before they get scattered. Enlist help if need be. You never know which little piece will be helpful in getting things back together. Even if it looks unimportant, grab it.


Take Out The Battery


If your battery hasn’t flown free from your camera and skittered half a mile away (I swear most camera batteries are built with self preservation instincts and fly free from a breaking camera at the first sign of trouble) now is a good time to take it out. If your camera is partially functioning, more damage can be done from parts trying to move when they don’t quite line up. I’l admit I haven’t always followed this advice. Which is why I now suggest this advice. Accept your fate and deal with it. Power off your camera completely to avoid additional damage.


Grab Your Flash Card


I have actually sent back a camera for repair with the card still in it. This, again, comes from the first point. I got all freaked out about the damage and didn’t grab my card, even a few days later. The irony is I often hear people tell me, ?If I dropped my camera in the lake, that’s that!? When in reality it often is not ?that?. Your card is a solid state device and, barring electric jolt, will retain the images recorded to it. Corrosives will cause damage, but a quick dunk in a pool of water, while a bad thing for your camera and the electricity it carries, is not necessarily fatal to your images. Grab that card out and dry it off, completely. Heck, you may even have one interesting last image as your camera met its fate.


Do No Harm


Guilty, yet again. I have tried to fix my semi-broken cameras before. That typically made them completely broken cameras. And made the repair bill higher. Unless you are a pro at this type of fixing, your expensive DSLR is not a good item on which to start learning about camera repair. Leave it to the pros.


Check Your Warranty


Before you send in your camera for repair, they’ll want to know about your warranty. This starts with recording the information some place logical and easy to retrieve. Maybe in online email. Maybe on your cell phone (if you are on a trip). Maybe a tattoo. Whatever works for you, when you buy a camera, record this information for easy retrieval. I once failed to send in a computer for repair because I thought it was past the warranty and the reciept was burried in years of boxed paper. So I put it off for a month. When I found the receipt I learned I was now out of the warranty period, but I wasn’t when the incident occurred. Having an easy way to find this information will make life easier when it is already stressful.


Also check to see what your warranty covers. Most won’t cover negligence (accidents) and other incidents. Know before you have something go wrong.


Check Your Insurance


If the warranty won’t cover an accident, it is possible a homeowners or renters insurance policy will. Again, make sure the information is easy to find and understand the limits before using it.


Know Your Repair Options


Not everything needs to head back to the manufacturer’s factory. Local camera shops often offer repair and the service and price varies greatly. Most large brands will offer a free estimate before proceeding with a repair, much like a car mechanic should. In one incident I found the repair to be more than a replacement. In another (yes, I have dropped more than one camera) the repair cost was much less than I anticipated and I was pleasantly surprised. Ask around and get as many free estimates as you can if you have the luxury of time.


Know You Can Rent While Repairs Happen


Often it is calming to know a rental option is available, either online or around the street corner. Being without a prized lens or body when a shoot is planned for the near future will cause a spike in blood pressure. Relax. While it will cost additional funds, there are options to make sure you can keep shooting until your gear comes back to you.


Check eBay For Replacements


While you are waiting for your free estimate for repair (notice how I keep holding on to hope that your camera was not completely obliterated?) check eBay and other secondhand resources for replacements. Sometimes we fall in love with our gear and keep it for years beyond its production date. If it’s not available new, it may be available on the secondary market.


Sell It, Don’t Trash It


If the camera or lens is a total loss, don’t just throw it in the trash to clog another landfill. Look again to eBay and other sites where broken equipment can be listed (with proper notation). One man’s trash is another’s treasure. Repair shops can scavenge usable parts off of the body and get them on other cameras which met a similar fate. Plus it is a chance to turn a complete loss into enough money to buy a beer to cry into.


Move On


Sometimes broken stuff doesn’t come back to life.? Sometimes it stays broken.? The positive spin on this?? It’s time to start shopping for a newer, better, faster, cooler camera!


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An Evening with Mick Rock

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On 19 January, Mick Rock will be hosting a live portrait master class at the Idea Generation Gallery in London.


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