Tuesday, November 30, 2010

5 Ways To Improve Your Boudoir Photography

This is a guest post by Ed Verosky.

Boudoir is a popular genre of portraiture that many wedding and family photographers are adding to their repertoire. If you’ve been thinking about offering this service to your clients, this article should provide a few tips to help you get started. For more, please see my eBook, 10 Ways to Improve Your Boudoir Photography Now.

1) Understand Your Client’s Fears and Motivations.

Reasons for wanting to do a set of boudoir pictures vary from client to client. The most common ones include wedding or anniversary gift albums, birthday gifts, or Valentine’s Day gifts. Some clients, feeling that they are reaching a turning point in their lives will decide that they would like to mark it with beautiful photographs of themselves. Still others who are thinking of starting a family, simply wish to capture the look of their pre-baby body before it changes. Whatever your client’s reasons or motivations, they are important enough for her to hire a professional to get the job done right.

Posing for the camera isn’t easy for most people. But for many women, the thought of attempting sexy poses in front of a stranger, while wearing revealing outfits and lingerie, is quite intimidating. The fact that she has booked a session with you, despite her particular level of anxiety about doing a boudoir shoot is evidence of her strong desire for a great set of pictures. But she still needs to know that you understand her worries about how she’ll look in her pictures, and that you will make sure she looks her best. Doing a boudoir shoot is definitely outside the comfort zone of most clients, so be sure to offer her a high degree of sensitivity and understanding.

2) Prepare For A Successful Shoot.

We send our clients some basic information and tips that help them prepare for their boudoir shoots. This is a good way for them get some sense about what to do prior to their shoots, and how the whole process works with your studio.

We send out a PDF (Adobe Portable Document Format) file containing our tip sheets. “Boudoir Pre-Session Tips & Info,” includes tips for hair and makeup preparation as well as advice about allowing enough time to make it to the session without feeling rushed. Our “Boudoir Session Photo Ideas” sheet has a checklist of boudoir styles and keywords to help the client decide on, and communicate, the type images she’d like to create. Does she want to be depicted as playful or dramatic, coy or bold? Is she more interested in over-the-top glamour with frills and high-heels, or more casual looks like wearing a man’s shirt and little else?

It’s also a good idea to let her know how much time she needs to set aside for the shoot, how many outfits to bring, and how and when she should expect to see the proofs.

3) Set Limits For The Best Results.

Everything from makeup and styling, to the number of outfits your client will want to attempt to shoot, all have a direct impact on how much you can expect to accomplish during the actual photography. Keep in mind that most clients don?t have the practice or performing stamina to go for several hours in front of the camera. Even with frequent breaks for changes, styling touch-ups, and waiting on the photographer between setups, the shoot time will eventually take its toll on your subject.

Most women will be okay with a shoot lasting up to two and a half hours, with some crashing around the 45-minute mark. About four outfit changes is a realistic limit. With each outfit, you should get enough poses and perspectives to have a nice variety of shots. As for hair and makeup, I try to have my clients come with that already done and just a few items for touch-ups. At the very least, have their hair and makeup applied in an area of your studio other than the actual shooting set. After a couple of hours getting ready for the camera, it’s a good idea to give the client a little change of scenery for the shoot. Setting limits on actual shoot time, makeup and hair styling, and outfits will help make the experience more enjoyable for your client, and more productive for you.

4) Direct Your Subject With Confidence.

You should make sure you give your client plenty of feedback and encouragement during the shoot. She needs to know where she stands with you at all times. Your silence while shooting will only make room in her head for questions about her pose, expression, and whether or not she?s doing a good job in front of the camera. Letting her know what to do and how well she?s doing it, will help make her a better and happier subject.

Encouragement starts the moment she arrives for the shoot. Tell her that she looks great, and that you know the photos will turn out wonderfully. During the shoot you have to be her cheerleader of sorts; tell her how great she’s doing every so often.

Understand that she is looking to you for direction. You might be focused and concentrating on a series of shots that look just great from your perspective, but without letting her know what you’re doing, she’ll be lost. She’ll wonder if she’s supposed to be smiling or not, or where her hands should be placed, or which direction she’s supposed to be looking in. So, give her confidence by giving her solid direction throughout. If there are times that you just need her to keep doing what she’s doing while you get some different angles, just tell her so. It will go a long way in keeping her relaxed, engaged, and confident. How well you manage this will show in the final shots.

5) Use Simple, But Effective Lighting Techniques.

Finally, make sure you have a simple lighting setup to work with. Your boudoir client is picking up cues about your competence from how you use and adjust your camera and lighting. A simple lighting setup that you are completely familiar with will allow you to focus more of your attention on her and less on your gear and settings.

I use a two-light setup in several configurations that I’m very comfortable with. I use manual settings on my camera, and they’re almost always the same. And I rarely use more than one lens throughout the shoot. Changing lenses and making too many adjustments to the lighting and camera settings would just waste too much time. If you’d like a detailed description of my lighting and camera setup, you’ll find it it my eBook, 10 Ways to Improve Your Boudoir Photography Now.

Ed Verosky is a photographer and author based in New York City. Look for his photography eBooks at his website, About-Photography.com.

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Kubota Image Tools Releases Lensbaby Pak

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Kubota Image Tools have released the new Kubota Creative Tools – The Lensbaby Pak, specially designed to enhance the artistic effects created with Lensbaby optics. “Lensbaby optics open up a distinctive set of creative options for photographers, and you want to preserve all of that great effect when editing,” said Kevin Kubota of Kubota Image Tools. “These new enhancement tools work with the captured image to add drama and feel without masking the impact of the optics’ effects.” The Kubota Lensbaby image enhancement tools are currently available for instant download for $39, through the website below.

Website: Kubota’s Lensbaby Pak

Kubota Image Tools Press Release

Kubota Image Tools Announces Lensbaby Image Enhancing Tools

Created in Conjunction with the Lensbaby Kubota Contest, This Set of Image Enhancement Tools Brings Out the Best in Images Captured with Lensbaby Optics

Bend, Ore. – NOVEMBER 21, 2010 – Kubota Image Tools, provider of photographer-empowering creative imaging tools, workflow-saving solutions and educational offerings for photographers of all levels, today announced it has created the new Kubota Creative Tools – The Lensbaby Pak, specially designed to enhance the artistic effects created with Lensbaby optics. Kevin Kubota, founder of Kubota PhotoDesign and the Idea Guy behind Kubota Image Tools, created the set of Photoshop® image enhancing tools as part of the Lensbaby Kubota Contest.  Winners of the contest, selected by Kubota, were announced previously. The Lensbaby Pak includes 15 brand new Photoshop image enhancement tools Kubota devised to enhance contest-winning images captured with each of the unique six Lensbaby Optics, and includes the Kubota DASHBOARD 3.

“Lensbaby optics open up a distinctive set of creative options for photographers, and you want to preserve all of that great effect when editing,” said Kubota. “These new enhancement tools work with the captured image to add drama and feel without masking the impact of the optics’ effects.”

Winner of the Lensbaby Kubota Contest, Lisa Schwendemann Smith, received $300 in KubotaBucks, $300 in Lensbaby Bucks and the new Kubota Lensbaby tools for her submission of Atlantic City Pier. A video of her image being edited by Kubota is available on the Kubota Lensbaby tools product page.

“This image has been a favorite of my family and friends for a while now, and it was a thrill to be a finalist. It is a wonderful feeling to have impressed Kevin Kubota enough to be named the winner,” said contest winner Lisa Schwendemann Smith. “It was eye-opening to see what Kubota’s new Actions could do to enhance the look of this image and I look forward to using the enhancement tools to bring out the best in my other Lensbaby shots. I can’t wait to go on a Kubota Image Tools and Lensbaby shopping spree.”

The Kubota Lensbaby image enhancement tools are currently available for instant download for $39, through: http://kubotaimagetools.com/store/catalog/product_16383_Kubota_Creative_Tools__The_Lensbaby_Pak_cat_258.html

About Kubota Image Tools

Bend, OR-based Kubota Image Tools (http://www.KubotaImageTools.com) is the source for time-saving and award-winning image-enhancing Photoshop® tools and Lightroom® Presets and presenters of inspiring international workshops designed to empower professional photographers. The workflow-saving offerings grew from the digital experience of Kevin Kubota who began pioneering the field of completely digital wedding photography in the 1990s.

As the President and Owner of Kubota Photo Design Inc. (http://www.KubotaPhotoDesign.com), Kevin has been working with Photoshop and as a digital/computer educator since 1993. Kevin shares his experience with other photographers through the award-winning Digital Photography Bootcamp®, which has trained thousands of photographers to make the digital transition while empowering them with improved creative control and proven management practices to drive success. Kevin also presents seminars on digital imaging, workflow and Photoshop techniques for professional photographers for national associations such as WPPI, PPA and many state associations.

As the author of the book Digital Photography Boot Camp: A Step-by-Step Guide for Professionals (now in its second edition), published by Amherst Media, Kevin continues to make his vast experience available to the photographic community through his ever evolving blog (http://www.kevinkubotablog.com).



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DPS Giveway! ? Trey Ratcliff?s HDR Video Tutorial

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Ladies and gentlemen, this is exciting! We are giving away not one, but three free copies of Trey Ratcliff’s downloadable version on his HDR Video Tutorial!


Trey has taught thousands upon thousands of people how to do HDR through workshops, his award winning HDR Tutorial on his site, his book “A World In HDR” and now he has released a video tutorial which is just like going to a workshop! Watch as Trey actually works his way through processing 10 different images from start to finish and follow along each step of the way. This video download normally sells for $99 but we are giving away 3 completely free!


So How Do I Enter To Win?


It couldn’t be easier, all you have to do is leave a comment below telling us why you love HDR photography. That’s it! The contest will run 48 hours, and when the timer runs out we will choose 3 random winners.


If you don’t win, no worries! You can still purchase the video tutorial for a special DPS discount of 10% using the coupon code “DPSISREALLYAWESOME” at checkout. Just follow this link to purchase the tutorial.


Note: This coupon code will only be good from now until the end of the year! It is good for all 3 ordering options


About Trey Ratcliff and Stuck in Customs


Trey is best known for his site, StuckInCustoms.com, which has become the #1 Travel Photography Blog on the internet with around 350,000 visits per month including one from his mom. He’s also on Flickr and SmugMug, where his photos have recently passed over 45 million views. His work first became popular after he had the honor of having the first HDR photo ever to hang in the Smithsonian. After that, he was fortunate enough to be represented by Getty, and has been featured on the BBC, ABC, FOX, CBS, and NBC, and has had numerous showings around the world.


Some of Trey’s Work


High Dynamic Range Photo


High Dynamic Range Photo


High Dynamic Range Photo


High Dynamic Range Photo





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11 Great Camera Angles for Food Photography

Choosing the best angle, when shooting food, comes from a good observation and an inner feeling. Before composing your image, try to enter into a visual meditation, move calmly around your subject and simply observe with your bare eyes. Just keep in mind that this meditation cannot be long-lasting, as you know that freshly prepared food will not continue to maintain that “fresh look” for more than a few minutes.

Photographing food is very similar to photographing people in a sense that each person has her best side. Considering the variety of food out there, diverse cooking and presentation styles, the final results are endless. This array of unique subjects creates an opportunity for infinite camera angle choices.

What is the best angle? Here are my Top 10:

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The camera is completely centered to the subject. This created a very clean contemporary look and feel. Tip: Keep the props to the minimum.

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Camera is positioned directly above the subject and perfectly centered. This angle produces a very contemporary, graphic look.

Tips on overhead photography see Tips for Shooting Overhead.

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For this shot, food was placed directly onto the white plexiglass surface, a soft box was positioned below the plexi. This created a seamless and shadow-less environment. When you do not have a point of reference (no horizon line, no plate, no sense of environment) you can shoot from most unusual angles and get away with it.

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Camera is tilted right, so the subject tilts counterclockwise and the dish is welcoming you in, motivating the spectator to indulge in image.

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Camera is tilted left, so the subject tilts clockwise, pulling away from you, engaging the viewer the desire to follow.

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Don’t be afraid to get close to your subject. It won’t bite. Or will it? When you are shooting close ups, the point of reference loses its importance, so any camera angle will produce an appetizing image or not?

The camera is positioned above the front of the subjectdd, then the camera is tilted up until the subject fills the frame. The photograph will maintain a graphic dynamic composition that will engaging the eye to scan the image from the foreground to the background.

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Turn you camera so the subject starts in one corner and ends in the opposite corner, breaking the space diagonally.

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When looking through the viewfinder align the edge of the frame to any line you see in your subject. In this case I chose to align three parallel lines (left and right edges of the slice). So I turned the camera until these 3 lines ware parallel to the vertical edge of the frame. This created a very monumental and unusual composition, granting unprecedented importance to this slice of a regular cheese cake.

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The camera was tilted just slightly to the left. Why? Because the human brain likes to scan things by section. If the camera had been leveled, then the middle wedge would create a horizontal line that would divide the composition in two sections and forcing the eye to travel away from the center. But in this case, I wanted the eye to flow freely though the whole image while stopping only at the focal point. So “gentle tilt” solved the problem.

Try to forget about the rule of thirds and everything you just learned, just move around your subject and really try to see it and when you see it, draw the camera to your eye and start framing. Keep your mind clear, no thinking. When you start getting a warm fuzzy feeling entering through your stomach and spreading to your chest, just push the button.

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Sasha Gitin is a New York based food and lifestyle photographer shooting for advertising and editorial industries. His commercial portfolio can be reviewed on sashagitin.com.

In addition, Sasha is a co-founder of an educational photography blog LearnMyShot.com where he shares photography tips and techniques.

Guest Contributor This post was written by a guest contributor to DPS. Please see their details in the post above. Become a Contributor: Check out Write for DPS page for details about how YOU can share your photography tips with the DPS community.


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Hasselblad H4D Ferrari Edition Official Launch

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The Hasselblad H4D Ferrari Edition, which was announced at Photokina, has now been officially launched and priced.


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Casio EX-H5 Review

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Looking for a travel zoom compact camera with a wide-angle lens, 12 megapixels and HD movies that won't break the bank? The Casio EX-H5 could be the answer, offering a 24-240mm focal range, 2.7 inch LCD, CCD-shift image stabilization and 1,000 shot battery life, all for under ?150 / $200. Read our expert Casio EX-H5 review to find if it's a hit or a miss...

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Nikon D3100 Review

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The Nikon D3100 is an entry-level digital SLR camera boasting 14.2-megapixels and full HD movies. Successor to the popular D3000 model, the new D3100 features full-time auto-focusing in both Live View and D-movie modes, a Quiet Shutter Release mode, and an enhanced Guide Mode for the beginner target audience that the D3100 is aimed at. Find out if this is the perfect first DSLR camera for you by reading our expert Nikon D3100 Review.

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The Great Big 2010 Photocritic Interview

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So. December is nearly here, and I figured it was time to turn things on its head for a little bit; I’m normally the one doing the interviews, so, I thought, wouldn’t it be cool to let my readers interview me for once?

So, Fill in this Google Forms form with anything you want to know about me, the blog, or Life in General, and I’ll do my best to come up with a (semi-)coherent answer, in a “The Readers interview the Photocritic” in the next few weeks.

Enjoy!


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Hasselblad H4D-40 Stainless Steel Edition

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Hasselblad has announced the production of a limited run of 100 Hasselblad H4D-40 Stainless Steel cameras.


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Industry Big-Shots Propose New Memory Card Standards

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Nikon, Sandisk and Sony have announced the joint development of a set of specifications that address the future requirements of professional photography and video markets. The proposed specifications achieve data transfer rates of up to 500 megabytes per second (theoretical maximum interface speed). The increased speeds will enable imaging and video applications that could not be accomplished using the current CompactFlash specification’s PATA interface. For comparison CF6.0, released in November 2010, offers maximum performance of up to 167MB/sec. The new specifications’ faster speeds enable continuous burst shooting of massive RAW images. The enhanced performance also allows users to quickly transfer storage-intensive high-resolution photos and videos from the card to a computer.

Sony Press Release

SANDISK, SONY AND NIKON PROPOSE INDUSTRY STANDARDS FOR NEXT-GENERATION HIGH-SPEED MEMORY CARD FORMAT

Companies to Jointly Develop New Specifications to Meet Needs of Professional Photography and Video Markets.

November 30, 2010 — SanDisk Corporation, Sony Corporation and Nikon Corporation today announced the joint development of a set of specifications that address the future requirements of professional photography and video markets. The three companies proposed the specifications to the CompactFlash® Association (CFA)*, the international standards organization, with the intent to standardize the format.

Professional photography and High Definition (HD) video applications require a new generation of memory cards capable of processing significantly larger files. To address the imaging industry’s future speed and capacity demands, SanDisk, Sony and Nikon proposed a new card specification whose performance and storage capabilities surpass those of existing memory cards. Once accepted, the new format will enable exciting new possibilities in the professional imaging and video markets.

The proposed specifications achieve data transfer rates of up to 500 megabytes per second (MB/sec)** (theoretical maximum interface speed) using the highly versatile PCI Express*** interface. The increased speeds will enable imaging and video applications that could not be accomplished using the current CompactFlash specification’s Parallel ATA (PATA)**** interface. CF6.0, released in November 2010, offers maximum performance of up to 167MB/sec.

The new specifications’ faster speeds enable continuous burst shooting of massive RAW images. The enhanced performance also allows users to quickly transfer storage-intensive high-resolution photos and videos from the card to a computer. The specifications combine high-speed data transfer with low power consumption via a power scaling system to extend battery life.

In addition to industry-leading performance capabilities, the new memory card specifications also meet the future capacity and durability requirements of professional imaging applications. The proposed new specifications has the potential to extend theoretical maximum capacities beyond 2 terabytes (TB)*****, making it especially useful for high resolution images and HD video applications. Similar in size to a CompactFlash® card, the new specifications’ access control function and highly durable form factor produce a combination of physical ruggedness and reliability that is indispensable for professional usage models.

“This ultra high-speed media format will enable further evolution of hardware and imaging applications, and widen the memory card options available to CompactFlash users such as professional photographers,” said Mr. Shigeto Kanda, Canon, and chairman of the board, CFA. “This next generation format is expected to be widely adapted to various products, including those other than high-end DSLRs.”

“The ultra high-speed media, which will be realized by this new card format, will expand the capability of digital SLR cameras and other professional digital imaging equipment,” said Mr. Kazuyuki Kazami, operating officer, vice president and general manager, development headquarters, imaging company, Nikon Corporation.

Sony is a leading global innovator of audio, video, communications and information technology products for both the consumer and professional markets. Sony is renowned for its audio-visual products, such as the BRAVIA™ LCD high-definition television, Cyber-shot™ digital camera, Handycam® camcorder, “?” (pronounced Alpha) digital SLR camera, and Walkman® MP3 player as well as its VAIO™ personal computers and high-definition (HD) professional broadcast equipment, highlighted by the XDCAM® HD. Offering a complete end-to-end HD value chain and with its electronics, music, pictures, game and online businesses, Sony is one of the world’s leading digital entertainment brands, employing approximately 170,000 people worldwide.

Through its long-term football partnerships as an official sponsor of the UEFA Champions League until 2012, Official FIFA Partner until 2014 and global sponsor of the FIFA World Cup™ in 2010 and 2014, Sony is inspiring a sense of excitement for the millions of football fans around the world.

For more information on Sony Europe, please visit http://www.sony-europe.com: http://www.sony-europe.com



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Another Kinect hack with 3D possibilities

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Some of you might remember when we covered Oliver Kreylos’ first attempt at 3D panning with a Kinect.


As you can see in the video above, Okreylos (his YouTube user name) has added a second Kinect to his little experiment. It definitely causes more of a 3-D view, but if it is panned to the back of the XBox case, it is nothing but a hollow box. You will see a difference when a Kinect is turned off.


So, is the Kinect the new bullet-time for this decade?


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Santa Takes a Day Trip Holiday Festivals North of the Golden Gate

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I do love ice skating in Union Square, but I equally adore sipping hot cocoa, nibbling holiday cookies and chatting with local shopkeepers in these three charming little towns just north of the Golden Gate. Jingle all the way, after the jump!



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