MediaPad Pro for iPad

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MediaPad Pro is a new app for the Apple iPad which, accordig to its developers, will “revolutionise” the presentation of professional portfolios. The app comes equipped with features such as a fully customisable interface, offering instant access to showcase a selection of work and even edit presentations on the spot. MediaPad Pro is available now on iTunes for $14.99.

Press Release

SHOWCASE YOUR PORTFOLIO ANYTIME, ANYWHERE FROM THE PALM OF YOUR HAND

Medl Mobile Introduces Its Newest App For The iPad “Media Pad Pro”

(IRVINE, CA – November 10, 2010) MEDL Mobile, Inc., a leader in mobile application development and the company behind internationally successful apps such as Note to God and the #1 hit, Mall Maps, in conjunction with celebrated photographer, Craig Orsini, have created MediaPad Pro, an app for the iPad that will revolutionize the presentation of professional portfolios. MediaPad Pro brings a dynamic new approach to the way photographers, artists, models, designers, actors and directors are able to present, display and share their portfolios or catalogues.  The app comes equip with features such as a fully customizable interface, taking anyone’s work to the next level by offering instant access to showcase a selection of work and even edit presentations on the spot. MediaPad Pro is available now at http://www.medlmobile.com and at http://www.apple.com/itunes app store.

MediaPad Pro is fully customizable and the definition of ease with effortless editing.  Simply start by entering your professional contact information and you are ready to begin uploading an unlimited amount of static images (print), audio files, video files and digital/website files. MediaPad Pro blends the mobility and format of your book with the instant advantages of a website.

Notice a mistake or decide you prefer a different photo or color? Easily make instant corrections by swapping out the piece you choose, adjusting the color palette or modifying the font scheme and background images. MediaPad Pro allows you to automate your portfolio into a seamless presentation and eliminate the expensive cost of paper stock, print runs, bulky portfolio cases and the time-consuming preparation.

The man behind this app, Craig Orsini, has been a professional photographer since the early days of digital; jumping on board in the 90’s when he opened a still life studio in Boston.  However, while the precision of still life spoke to the organized side of his brain, his sense of humor and love of people were severely undernourished.  By 2000 Craig made the decision to begin concentrating on large productions with people and humor as a central focus.  The idea caught on and a profile in PDN and a handful of awards quickly followed with work featured in Archive, Communication Arts and The Kelly Awards.  Craig has established a national reputation and ventured into the “real life” world of lifestyle photography and motion capture for clients such as Carnival Cruise Lines, Zipcar, Banana Boat, Bose, TomTom GPS and McDonald’s.

Additional features include:

·      Hyperlinked digital files for live demonstrations
·      Fully customizable interface
·      Guest Registry with PDF/XLSX export option
·      Slideshow options with transitions and timing for a seamless presentation
·      MediaPad Pro tutorial section with walkthroughs and helpful tips.

We are proud to call MediaPad Pro a Shiny MEDL Object.

Link to app on iTunes: http://itunes.apple.com/us/app/mediapad-pro/id394760312?mt=8

MEDL Mobile was recently featured on CNBC’s “Planet of the Apps”. MEDL develops custom applications for people, companies, advertising agencies, consumer brands and themselves. MEDL’s “Shiny MEDL Objects” are apps that fascinate, entertain, connect and empower their users. MEDL has more than 35 applications available on the Apple (APPL) App Store - with dozens more currently in development for iPhone, iPad and Android.

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Sony Bloggie Touch Now Available in the UK

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Today marks the UK launch of the Sony Bloggie Touch Full HD pocket camcorder. The new Bloggie Touch has a 3-inch capacitive touch screen that automatically adjusts for vertical or horizontal shooting and viewing, enabling its users to shoot video right-handed, left-handed, right-side-up or even upside-down. Equipped with an f/2.8 wide-angle lens, 8GB of memory and a sensitive Exmor CMOS sensor, the Bloggie Touch has SteadyShot image stabilisation for smoother footage and a built-in USB arm for easy charging and uploading to a computer.

Sony Press Release

Have fun shooting Full HD and 360 videos with the new-generation Sony Bloggie™ Touch

The ideal gift purchase for Christmas and a fantastic companion on a night out or on holiday to capture perfect memories

  * Beautifully styled snap camera that shoots Full HD 1920x1080 video and 360 videos plus 12.8 megapixel stills
* Easy to use, large 3” (7.6cm) touchscreen and new interface
* Built-in USB and software for easy online upload

·      Available in a choice of colours - vibrant pink, silver and black finishes

The stylish, new Bloggie™ Touch from Sony is a must-have purchase this festive season – an ideal gift for a friend or a perfect companion on a night out or upcoming holiday thanks to its HD video capabilities, portable size and ease to upload content online.

With the ability to create Full HD video clips and still photos, the new Bloggie™ Touch from Sony is a radical evolution from the first-generation Sony Bloggie™ models. The all-new snap camera boasts classic looks with its slim, rounded body and finely brushed aluminium finish. It’s also the perfect ‘all-in-one’ solution for shooting and sharing life’s special moments, wherever you are.

The camera’s cool, clean lines are dominated by a large, bright 7.6cm (3”) LCD touchscreen that allows a clear view of photos and video clips taken. Flick through your images on the widescreen LCD with intuitive fingertip gestures – it couldn’t be easier.

The sensitive Exmor™ CMOS Sensor captures sparkling Full HD videos and crisply-detailed still photos. Picture quality is enhanced further by the bright, high quality lens for clear, low noise images – even when you’re shooting on an overcast day.

Bloggie™ Touch features a versatile autofocus lens with wide angle function. There’s also a new auto macro mode to focus sharply on objects as close as 10cm away. It’s ideal for snapping the menu of that unforgettable restaurant meal or a beautiful flower discovered on holiday.

Bloggie™ Touch also records amazing 360-degree panoramic videos to capture everything that’s happening around you – just clip on the supplied lens adaptor. 360 videos are now twice the resolution of previous-generation Bloggie™, and low-light video quality is also improved thanks to the Exmor™ CMOS sensor. In addition to fun 360 Video, Bloggie Touch features “free-style shooting” which allows you to capture movie both in landscape and portrait – it’s a completely new way of seeing the world from every angle.

Despite its slim, compact size, Bloggie Touch allows up to 4 hours of HD movie shooting time (1280 x 720/30p mode) on its 8GB internal memory. (Continuous maximum shooting time: approx. 29 mins).

After shooting, it’s never been easier to share your favourite photos and video clips on the web. Bloggie™ Touch connects instantly to any PC via its flip-out USB arm that also charges the camera’s battery. There are no fiddly cables or software CDs to worry about: hook up the Bloggie™ Touch and the built-in sharing software launches automatically.

Simply drag and drop to upload your favourite moments without any fuss to social networks and popular sites like YouTube, Facebook and Flickr. Bloggie™ Touch lets you concentrate on having fun while you’re out and about - it’s easy to tag content with a new ‘Share-it-Later’ function allowing you to bookmark your favourite photos and clips and then upload your selections to the web in moments when you’re back home.

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Easy Release 1.8 for iOS Approved by Getty Images

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Application Gap has announced that its product, Easy Release 1.8 for iOS, is the first application approved by Getty Images, Inc for creating digital model and property releases. Getty announced its approval on 9th November via its creative contributor website. Note that Getty has only approved Easy Release for iOS version 1.8.100814 (the current version available in Apple’s App Store). Robert Giroux, founder of ApplicationGap, says “Since its release in March 2010, Easy Release has gained wide and enthusiastic acceptance from professional photographers.  While many stock agencies have for months been accepting model and property releases created with Easy Release, approval by Getty Images means far more professionals will be able to take advantage of our application to save time and money.”

Press Release

Easy Release: Approved for use by Getty Images Contributors

Washington, DC – November 11, 2010 – Application Gap, of Washington DC, is proud to announce that its product, Easy Release 1.8 for iOS, is the first application approved by Getty Images, Inc for creating digital model and property releases.  Robert Giroux, founder of ApplicationGap, says “Since its release in March 2010, Easy Release has gained wide and enthusiastic acceptance from professional photographers.  While many stock agencies have for months been accepting model and property releases created with Easy Release, approval by Getty Images means far more professionals will be able to take advantage of our application to save time and money.”

Giroux continues, “Over the last several months we have worked hard to make sure Easy Release meets all of Getty’s strict standards and requirements.  Easy Release is now a better tool than ever for creating professional and reliable model and property releases quickly and easily from wherever you are.”  Getty Images joins several other stock agencies, most notably Alamy, who already accept releases created with Easy Release.

Getty announced its approval on November 9th, 2010 via its creative contributor web site (http://contributors.gettyimages.com/article.aspx?article_id=2228). Getty contributors should refer to Getty’s site for the latest rules and restrictions related to digital releases. At this time, Getty has only approved Easy Release for iOS version 1.8.100814 (the current version available in Apple’s App Store). Also, Getty has placed some restrictions on digital releases created in China, due to local laws.

Getty Images, Inc (http://www.gettyimages.com) is the world’s leading stock photography agency. With offices worldwide, Getty Images provides creative and editorial imagery and video to every industry.

ApplicationGap (http://www.applicationgap.com) is the leading provider of mobile model and property release software for the iOS (iPhone, iPad, iPod Touch) and Android platforms.

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Quantum Leap

Absolutely everything conspired to fulfill our fantasy of Shangri-la. The Long Island Expressway exit was Utopia Parkway. The neighborhood was Fresh Meadows. The address was Fresh Meadow Lane. The restaurant was called Quantum Leap.

The menu had a small mission statement with an explanation of the reason for the restaurant's name. It said that the secret of life was in the orbital quantum leaps of subatomic particles made in photosynthesis. That was just magical enough to add to the image and scientific enough to enable retelling.

There was no subway service there but we had access to a car. With a number of us packed inside a Honda Civic, we must not have looked too dissimilar to the cover of R. Crumb's Carload O'Comics. Our visits to Quantum Leap were spirited pilgrimages with empty stomachs and tremendous anticipation for the food, which was to us at the time like nectar from the gods.

We knew what we wanted before we arrived. Rituals are important and we had ours. A salad called the Big Wood (which I still miss) was a meal in itself - one or more was shared. At the time, we eschewed cooked food as much as possible. If budgets allowed, raw carrot juice (a rarity at the time) was ordered by the more affluent. The kitchen was well regarded for it's desserts and an excursion to Quantum Leap was never complete without their Banana Creme Crumb. Our desire to limit our dairy intake was thrown aside for these events.

The space included a natural foods store - browsing the wares was part of every trip as was meeting and greeting the manager, someone who became a dear friend and the subject of my story All The Way (see it here). I bought one of their T-Shirts at the time - it was too small then and still too small - another episode of my life's backstory of things too small and tight - see here.

On a recent trip to Queens, I decided to revisit the restaurant. When arriving at the address 6564 Fresh Meadow Lane, however, Quantum Leap was nowhere to be found, with Tienda Vieja in its place. After a brief visual survey of the area, it appeared to be the same neighborhood I remembered. A brief visit inside Tienda Vieja confirmed that this was the former home of Quantum Leap - a current staff member told me that they had closed at this location in the beginning of the year.

In the 1980s, the owner opened the first Manhattan location near my home - I was ecstatic. I still eat there on occasion, likely their oldest customer. When I tell the owner that he should bring back the Big Wood, he laughs. Silly boy, I bet you believe in Santa Claus, the Easter Bunny, the Tooth Fairy and that the secret of life is in a Quantum Leap :)

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Diana Mini Trinity

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The Lomographic Society has released three new members of the Diana camera family. The three new clones of the Diana Mini include a pink, a white and a black version. These 35mm “toy” cameras can shoot two different frame sizes including 24x24mm square and 18x24mm half-frame, and the photographer can switch from one to the other even mid-roll. The Diana Mini White is available at a price of £55 / €60 / $70, whereas the Diana Mini En Rose (pink) and Petite Noir (black) retail for £99 / €100 / €110.

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How to Give Your Digital Photos the the Film Look with Alien Skin Exposure

A Guest Post by Rob Dweck.

By the time I got serious about photography, digital cameras had advanced enough that buying a film camera wasn’t even a consideration. Having seen the photography of Art Wolfe, Galen Rowell and other landscape masters, I wanted to create photographs with the same visual impact and vivid color that I saw in their work. So off I went to various national parks with my Digital Rebel, only to come home and find that most of my photos were sorely lacking in impact of any kind.

Much of that was due to my newbie lack of basic photographic skills, which was remedied in time. But there was more to the equation. The photographs that first inspired me to pick up a camera were all done on film. As I looked at the technical information on many of the photographs, I noticed that most of them were shot using Fujifilm Velvia. That’s when it dawned on me why so many diehard film shooters fought the onslaught of digital tooth and nail.

Creating the Velvia look, and most any other film look, is possible in Photoshop using various combinations of adjustment layers and endless experimentation, but there is an easier way. Alien Skin Exposure makes it simple to replicate the look of a wide variety of popular film stocks with a few mouse clicks. Any time I want my landscapes to have a little extra pop, Exposure is my go to plug-in.

As with any plug-in, Exposure can be used to make subtle adjustments to the original image or to completely transform it. In the case of this photo from Bryce Canyon, I didn’t want to do anything too drastic; just boost the saturation in the reds and oranges, deepen some of the shadows and slightly bring up the glow on the backlit hoodoos.

Image after preliminary adjustments in Lightroom and before plug-ins applied

As with most plug-ins, Exposure is opened from the filters menu, where you’ll find separate modules for black & white and color films.

Select Exposure from the filter menu

The settings tab is where you’ll find the factory presets organized by category. I almost always head straight for color films- slide (grain off). The slide films are the ones that I find most pleasing and I’m just not a big fan of grain, unless it’s part of dinner.

The left column contains presets organized by category

Normally I’ll work my way down the list of films beginning with Fuji Provia, unless I’m looking for extremely subtle effects in which case I’ll try Fuji Astia. After comparing the various presets, I’ll settle on the one that comes closest to the look I want to achieve.

In the case of this photo, Kodachrome 200 gave me the look I wanted. In some cases it will be good enough that I can simply click OK and be done. More often it’s close enough that I can click OK and then reduce the opacity of the exposure layer to blend it with the original.

Adjust the opacity of the Exposure layer to blend with the original layer

In most cases, simply selecting a preset and clicking OK is not enough and a little a few tweaks are necessary to get the look I want. I spend most of my time in the color and tone tabs making small adjustments. I was happy with the color, but wanted to slightly darken the shadows and give the highlights a little extra boost.

The tone tab presents the familiar curves graph as well as sliders for making adjustments. A small boost on both shadows and highlights did the trick.

A few small adjustments in the tone tab can bring a little more pop to your image

The last step in my workflow is usually adding a vignette to darken the edges and draw the viewers eye away from the edge of the frame. This can be done in Exposure, but I use other plug-ins for that so I have more flexibility when it comes to blending. Here it was mostly the bottom of the frame that needed the darkening from the vignette.

Final image after Exposure processing and vignette

It’s easy to be wowed by some of the brilliant colors and it’s easy to go overboard, something I’ve been guilty of on occasion. Some people really like the highly saturated colors, others find it unnatural or fake looking and prefer to show the scene “as it was.” There’s no right or wrong way. It’s all a matter of preference and your own aesthetic sensibilities are your best guide.

Rob Dweck is a San Francisco Bay Area based photographer who specializes in landscape and nature photography. His work can be viewed at robdweck.com.

Guest Contributor This post was written by a guest contributor to DPS. Please see their details in the post above. Become a Contributor: Check out Write for DPS page for details about how YOU can share your photography tips with the DPS community.

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7 Tips for Shooting better Timelapse

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A guest post by Neelima Vallangi from the Wandering Soul’s Wander Tales.

Timelapse photography is one of the very interesting ways to capture motion. The results are almost always stunning. Moving clouds, changing light and shadows, celestial motion, growing things, flowing water, buzzing city life make for great subjects among many.

Timelapse photography is essentially shooting images of a chosen subject continuously at a specified interval and then making a movie out of it. Let?s say it is progression of time in fast forward mode. Making a timelapse might look very complicated, but with few things in mind, you could create your own masterpiece.

Below you can see the timelapse video that I had shot during my recent visit to the Himalayan Desert Valley of Spiti, India. These are few tips that I learnt from my first attempt at Timelapse photography and the mistakes that I made.

1. Get Rid of Auto ? Everything in your camera has to remain constant as the subject changes. Set the camera to manual mode before you start shooting. This includes ISO, Shutter Speed, Aperture and Whitebalance. If you have never shot in Manual mode, you could always take a shot in the aperture priority or shutter priority mode and then use the same settings in manual mode.


2. Focus Manually ? Auto Focus before you start shooting and then change the focus to Manual. Else before every shot, the camera will try to autofocus eating away precious battery time and also will cause glitches in the movie. (You can find signs of this in my video below.)


3. Save up memory by shooting in low res – If you are going on a long vacation to places with little or no accessibility to electricity, memory is going to be a problem. More often than not, your video wouldn?t be required at a full resolution of 15.1 MP or such. Reduce the resolution as much as possible to save up space and shoot.


4. Anticipate the motion and compose – Anticipate the movement of your subject in the coming minutes/hours and compose your shot so that the change in movement as time passes would fall within your frame.


5. Improvise if you lack equipment ? While an intervalometer is indispensable, if you don?t have one, don?t fret and instead use a remote shutter release to fire shots manually at the specified time interval. It is going to be tiring for sure, but hey something is almost always better than nothing. Although, pressing the button with hands is a strict no-no. Even a slight shake will cause glitches in the video again.


6. Music is just as important ? Now that you?ve shot all the shots and the video is ready, you might feel something is missing. Just as the photos are a treat to the eye, music is a treat to the ears and both of them together can create great impact. So spend sometime choosing suitable background score.


7. Last but not the least, practice ? Only once you shoot a timelapse or two, you will get a clearer picture of how many shots are required and at what interval.

This video above was shot at a 3MP resolution in Manual Mode with a remote shutter release.

What do you think of the timelapse that I have shot and what are your learnings so far? Tell me about your experience shooting timelapse in the comments below.

See more from Neelima Vallangi on her Travel and Photography blog and Flickr Page.

Post from: Digital Photography School

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Sling-o-matic 20 Bag Review

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Everyone’s favorite Frotographer Jared Polin from Fro Knows Photo is at it again and has produced this fun yet informative review of the Sling-o-matic 20 camera bag from ThinkTank.

There’s also a Sling-o-matic 30 which fits a laptop also.

Post from: Digital Photography School

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Redrock Micro M3

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Redrock Micro has announced its new M3 cinema lens adapter for video cameras.

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Today on Our Other Blogs

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Sharp Touch Wood phone will show up for limited run on NTT DoCoMo

Sony Gives Consumers New E Series Enterprising Projectors

The New Camera Phone From LG

Vladimir Putin drives an F1

Omnio WOWKeys mates the iPhone with a keyboard

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Canon imageRUNNER ADVANCE 8000 Series Models Available through Oc�

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Oc?, has announced the availability of the imageRUNNER ADVANCE 8000 Series. These multifunctional printers are designed to deliver great performance and have the capacity to rapidly create professionally developed reports or newsletters. These are digital monochrome models that fulfill the requirements of big businesses and workgroups.

They offer complete solution for sharing and managing documents when they are clubbed with imageRUNNER ADVANCE Essentials software suite. All the models in the latest series comprise Advanced Box feature that allows you to save your documents in their native file formats along with the assistance of sharing them over network-connected models and personal computers.

Direct connection to the USB devices along with the SD and CompactFlash^? cards facilitates quick data transfer. As far as the print quality is concerned, the imageRUNNER ADVANCE 8000 Series delivers amazing prints at 1,200 x 1200 dots-per-inch (dpi) print resolution. Canon?s fine-grained pO toner assures seamlessly clear images at a premium-quality finish. The models will save your power bills for their low consumption feature.

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LaCie Releases USB 3.0 Driver for Mac

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LaCie has released a USB 3.0 driver for Mac OS, which, when used in conjunction with the company’s USB 3.0 expansion cards, allows Mac users to experience USB 3.0 speeds.

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How to Make a Stacked Wood Fireplace MantelSmall Notebook for a Simple Home

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Always a wall, never a mantel? Well, I think you just caught a DIY bouquet.

I flipped when I saw this Stacked Wood Fireplace Mantel by Small Notebook for a Simple Home. All you mantel-less dwellers, you must read on!

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alm - jump [Flickr]

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*Nature* posted a photo:

bei einer wanderung auf der alm darf ein jump - foto einfach nicht fehlen :-) viel spa? beim ansehen, das schie?en des fotos hat es auch gemacht ;-)

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5 Tips to Discover Intimate vs. Grand Landscape & Nature Photography

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Grand landscapes provide some of the most eye catching and awe inspiring photographs. More times than not it is this type of image that dominates our preconceived vision of what we strive to capture when we head out the door with our camera. The reality is that grand landscapes, while stunning and eye catching, often distract us from other eye catching and inspiring photo subjects.

Intimate nature or landscape photographs focus on finer details or components of an otherwise larger scene. One of the most appealing aspects of intimate nature or landscape work is that subjects are more easily found, seldom identical (as most iconic grand landscapes are), and reflect a more personal vision of the photographer.

Intimate landscapes excel at highlighting textures, colors, shapes, light/shadow, etc. While it’s good to keep an eye out for magical moments that make for grand landscape or nature photos, keep an eye out behind you, below you and even above you. Where you find intimate nature or landscape subjects can be surprising. I’ve found great intimate nature and landscape photos underfoot, beside me while eating lunch, above me while waiting for great light to develop across a broader scene, and even just off the side of the road while driving. These types of subjects can be found most anywhere and almost always yield a great story to tell. Below are 5 tips and example images to help you discover intimate vs grand landscape and nature photographs. For more examples visit my collection of intimate landscape and nature photos on Flickr.

1. Take the time to look for subjects underfoot or in a 10 foot radius of where you are standing ? your best photo subject might be underfoot, behind you, next to you or even above your head.

Evolution – Grand to Intimate Example #1:

This photo developed from the larger scene of a classic White Sands desert meadow. I very much wanted to capture how the wind impacted the plants and shifting landscape. Visiting after a wind storm, fresh circular patterns were left in the sand from grass that had been blowing in the wind. In the broader scene these patterns are lost (see below), while in the intimate nature photo (above) the relationship is more clearly portrayed.

2. Turn the focal point of your envisioned grand landscape into a background element to provide context and depth.

Evolution – Grand to Intimate Example #2:

The Grand Teton mountains no matter what the weather conditions are an amazing sight and it is far too easy to focus on them alone. While the image of the mountains are nice, a larger story is told when including more immediate foreground elements. The shape of the native plants, color of the flowers, long shutter speed to highlight the winds of the growing storm, and the looming clouds tie together the scene as a whole.

3. Focus on a particular element of visual interest rather than squeezing an entire scene into frame.

Evolution – Grand to Intimate Example #3:

The top photo is a reflection of my awe in viewing this surreal landscape above the Wave (see my podcast episode on the Wave). I of course wanted to document the entire scene as it was like nothing I had ever scene before. At the same time I also realized that the photo itself did not bring into focus the formations that were the center point of my interest. The “brain rock” formations, after deeper thought, were what captured my imagination most and after careful attention to composition I was able to capture the scene below.

4. Apply these concepts to subjects other than Nature or Landscape photos, as they are universal in helping tell a story through photographs.

Evolution – Grand to Intimate Example #4:

While visiting New York City I happened across a very interesting yet chaotic scene at Rockefeller Center. A charity event was underway to raise money by collecting small change. Once again capturing the enormity of the scene was impossible and did not lend itself to an eye catching image. The normal focal point of this area is the large Christmas Tree that is erected and the collection pit with all the change was off to the side. A little experimentation yielded the image below. By placing my camera on the change and adjusting the depth of field I was able to capture the vast scene of change collected while anchoring the scenes location by including the tree in the background.

5. Don’t rely on just one image to capture a scene. Think in terms of telling a larger story through multiple images via a small portfolio of photos. The sum of many “intimate” styled photographs can often paint a more complete picture than just one sweeping photo.

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