Showing posts with label Improving. Show all posts
Showing posts with label Improving. Show all posts

Tuesday, January 11, 2011

The 7 Keys to Improving Your Photography This Year

A new year means a new chance to achieve those things you always wanted to. If you’re reading this site, then chances are that this also includes getting better at photography. So here’s what we’ll be doing to improve our photography in 2011 and you should be too!

landscapephoto © 2007 mike138 | more info (via: Wylio)

1) Practice – It’s now commonly held (thanks to Malcom Gladwell) that it takes 10,000 hours of practice to be able to call yourself an expert at something. If you do the maths, that means a full time, 40-hour-per-week job for about five years doing the tasks associated with that topic (office work doesn’t count!).

While being called an expert photographer might not be your goal, the fact is that practice is the core of what will make you a better photographer, just like anything else. For practical purposes for most of us, that means that we should at least be carrying our camera and shooting every day. Doing this allows us to get that experience in shooting under different conditions as well as thinking about composition and getting to know our cameras.

Practical steps to take to practice include joining 365 day challenges and joining in the weekly photography challenges here on the photography forums at Light Stalking. These challenges aren’t designed to draw out great photographs every day – they are designed to get you into the habit of shooting and knowing your topic. In turn, that leads to better and better photographs.

2) Know The Theory – By spending time reading websites like this one, you have already showed that you have the desire to learn. Run with it, because that puts you well ahead of the pack!

There are basically two things you should be looking to do with regards to the theory depending on your level of current knowledge. One has to do with the “How To” of photography and the other has to do with the “Why.”

The “how to” is reasonably easy to cover. Reading blogs like this one is a great way to master your camera and the mechanical aspects of getting a sound photograph. There are also thousands of great books on the topic (starting with your camera manual) that cover everything from camera controls through to technique, composition and production.

The “why” is a little harder to nail down, but it’s probably where you will need to turn to some of the masters (and their books) like Ansel Adams, Max Dupain, Henri Cartier-Bresson, Annie Leibovitz and a host of others. This is arguably more art than science, but it has to do with the story an image can convey. More than just a technically sound photograph, a good photographer can tell a story with a single image. Being able to do this at will is an advanced skill for any photographer.

Giant Swallowtail - Papilio cresphontes - Close-up Butterfly getting nectar from the Santa Barbara California Museum of Natural History Butterflies Alive 2009 exhibitphoto © 2009 Mike Baird | more info (via: Wylio)

3) Know Your Gear – This goes hand in hand with practice, but it’s also as simple as reading the manual. Really good photographers can change almost any setting on their cameras without looking because they know their gear so well. Practice changing the basics such as shutter speed, ISO and aperture without looking and you will be ahead of most amateurs. Then move on to more advanced settings. There’s no secret to this other than lots of study and practice.

Other than your camera, you should also know your other gear. Knowing where a piece of equipment lives in your bag and being able to get to it and set it up quickly and efficiently can be the difference between getting a great shot and missing out.

4) Imitate – When you see an image that you like, use it as an opportunity to learn more about your craft. Try to consider everything from the camera settings used through to the reason the photographer took the image. Then start experimenting with your own shooting while trying to incorporate some of the techniques behind the image that you liked.

ISO, shutter speed and aperturewhat lighting situation was it shot underwhat elements of composition does it use (leading lines, rule of thirds, golden section)what post production was done on the imagewhat story does the image convey

This can go even further if you find a well known photographer who takes the type of photographs that you like. Many well known photographers have published books so consider buying the and learning from them.

5) Pre-think Your Shots – Good photographers are already considering the conditions that they will be shooting in well before they even arrive at a shoot. Try to estimate the conditions that you will be shooting in at any situation and then make sure you know (or find out) what specific challenges that will throw up. Is it raining? Will there be fluorescent lighting? Will you have a place to set up a tripod? Will the subject be still or moving? These things are all easily discoverable before you get to a shoot and knowing them and preparing for them will make your images better. Being prepared is a huge part of the battle in getting a good shot.

A few practical ways to be prepared include having relevant iPhone photography apps on your phone and maybe carrying around some cheat sheets. There are a ton of great apps that can tell you everything from the weather to the timing of the golden hour and blue hour as well as shadow directions. These are great for outdoor photography (for example).

Operation Desert Stormphoto © 2008 shellorz | more info (via: Wylio)

6) Specialise – The tough thing about photography is that when you really get into it, there is a massive amount of information to digest. By taking a specialist path in an area of photography such as landscapes or portraiture, there is still a massive amount to learn, but it becomes a little more manageable. Some people even go more specialised than that such as black and white landscapes. Choosing a specialisation also has the added advantage that you will get to practice that specialisation a lot more and that you will naturally get better and better at it.

No doubt, you will also be aware that a lot of the photographic greats were absolute specialists. Ansel Adams specialised in black and white landscapes of Yosemite National Park with dramatic skies. James Nachtwey specialises in activist and interpretive shots of war scenes. Steve McCurry specialises in colour portraits within the travel photography niche. Each of these specialists is famous for a very narrow niche within photography because they are great at it. They might be more than competent at other types of photography too, but their speciality is what defines them.

7) Love Your Craft – This one is a little hard to define, but you will know it when it happens to you. The thought of getting out on a shoot excites you. When you pass a news agent, you need to “pop in” to see if a new photography magazine is there. You spend too much time browsing the photography section at your local book store. Your internet bookmarks are full of photography sites and you can wax lyrical about photography with a fellow enthusiast for hours.

When you catch the photography bug and you catch it good, there is simply no going back.

Enjoy it, because it’s a hell of a lot of fun.


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Thursday, December 9, 2010

12 Video Tutorials for Improving Your Photoshop Skills

Photoshop can really be a photographer’s best friend or worst nightmare. It all depends on how comfortable you feel in the program and whether you know the simple tips and tricks to creating photo magic. Here are 12 video tutorials for improving your Photoshop skills quickly.

Essential Resize and Color Photoshop Skills - A quick and dirty overview of how to resize and fix the colors of an image before printing or adding it to the web. This is the first step in improving your Photoshop skills and only takes minutes to master.

Cleaning Up a Photo’s Background – Learn how to clean up the background or stray elements of an otherwise beautiful shot. The tutorial is done on a model shot, but this method works very well for all types of photography.

Fixing Lighting Issues - In this tutorial you will learn how to fix common lighting problems caused by over and under exposure. Don’t let a simple thing like exposure ruin your shot!

Sharpening and Unsharpening – Discover how to bring up the details you want and fade out the ones that you don’t in this easy to follow tutorial. Once you’ve mastered the basics of this method, have fun applying it to the different levels of an image for interesting effects.

Adding and Removing Tattoos – Sometimes is becomes necessary for a tattoo to be removed from a photo (usually by the subject’s request). Learn how to do this quickly in this tutorial, as well as a fun way to add tattoos to models.

Removing Red Eye From People and Animals – Find out how to remove that infamous red eye or even “pet eye” without detracting from the overall picture. Now you will have no worries when photographing wildlife!

Create Glowing Skin – Add that glamour-shot soft glow to any model’s skin with just a few steps and this simple tutorial. This is also a great way to improve skin tone and texture at once.

Change a Color Photo to a Black and White One – You can make a color image into a black and white one pretty easily, but don’t stop there! Make these new black and white photos rich in contrast and value to add that professional stroke.

Coloring Specific Photo Elements – This is a fun technique which if used correctly can add interest and an artistic flair to black and white image. It is also known as selective coloring.

Using the Photoshop Curves Tool – The curves feature is one of the most powerful and misunderstood tools in Photoshop. Use it to improve lighting, values, hues, and more in an image.

Using the Photoshop Curves Tool Part 2 – Part two of the comprehensive Photoshop curves tutorial mentioned above. How to bring it all together for the perfect final image.

Combining Images – This is a creative way to take two or more hum-drum images and combine them to create one marvelous one. Go beyond simple makeovers and coloring to create works of art.

Each of these videos offers different tricks and techniques. Pick and choose the kind which work best for your photography style to get started. Improving your Photoshop skills is very easy, and can help you in post work for every type of photography!


View the original article here

Monday, November 22, 2010

Improving Your Wedding Shooting: Understanding Relationships

Copyright McBeth

Some people view a wedding shoot a bit like chess. Move a few people here, move some over there, line them all up and it will work out. The only problem is weddings tend to be complex events and if you don’t understand the relationships involved, it can cause you pain all day long (and into the nights of editing the photos).

Getting relationships wrong while shooting a wedding can be both embarrassing and unhelpful. I’ve heard if from a number of photographers and from the comments here on DPS. The time you tell the mother of the bride to stand next to the father by saying, “Please move closer to your husband,” not knowing they are divorced and quite hostile to each other, is a moment you might regret.

While it’s not the end of the world and apologies later, when certain parties are separated, often goes a long way.  It’s helpful to try to get a lay of the family and wedding party landscape as soon as you can. This is best done at your initial meeting with the happy couple. If you’re not sure where to start, just ask who is going to be attending, who will be walking the bride down the isle, etc.

There are a number of ways to gather the information you need in order to easily navigate the changing sea of a wedding party. That first meeting is a great time to get to know everyone involved, not just the parental arrangements. Find out who the Maid of Honor is as well as the Best Man. How did the bride and groom come to know each of them? How did they pick their other attendants (assuming there are more)? Who else will be at the wedding that is special to either of them? If you have a second meeting with your clients, you can dive deeper, but for now, try to understand how everyone fits together.

This information will prove helpful on the wedding day, unlike any other you can gather. You will know who knows who and who you can turn to for help in gathering the party for pictures. I’ve also found the group appreciates your efforts more when they know you understand the nuances of family dynamics. It shows you’re more than just another hired hand, you’re someone who actually cares about doing your job well and reflecting the joy of the day.

It also helps to keep in mind who you work for during the wedding: the bride and groom. They are most likely the ones who hired you and the ones who you answer to. Knowing how the family works, even at a surface level, will help you address the pushy or overbearing relative who insists, “You need to be shooting more pictures of the groom’s side of the family.” Having been warned about crazy Aunt Martha and her dislike of the bride will aid you in smoothing over the situation while still getting your job done for your clients.

While it is not a vital step, taking time to understand the relationships of those attending a wedding you are shooting can help make the special day go smoother from a photographic standpoint. You’ll get blindsided less and have a chance to relate better with those attending, often making a stressful situation seem relaxed.


View the original article here

Improving Your Wedding Shooting: Understanding Relationships

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Copyright McBeth


Some people view a wedding shoot a bit like chess. Move a few people here, move some over there, line them all up and it will work out. The only problem is weddings tend to be complex events and if you don’t understand the relationships involved, it can cause you pain all day long (and into the nights of editing the photos).


Getting relationships wrong while shooting a wedding can be both embarrassing and unhelpful. I’ve heard if from a number of photographers and from the comments here on DPS. The time you tell the mother of the bride to stand next to the father by saying, ?Please move closer to your husband,? not knowing they are divorced and quite hostile to each other, is a moment you might regret.


While it’s not the end of the world and apologies later, when certain parties are separated, often goes a long way.? It’s helpful to try to get a lay of the family and wedding party landscape as soon as you can. This is best done at your initial meeting with the happy couple. If you’re not sure where to start, just ask who is going to be attending, who will be walking the bride down the isle, etc.


There are a number of ways to gather the information you need in order to easily navigate the changing sea of a wedding party. That first meeting is a great time to get to know everyone involved, not just the parental arrangements. Find out who the Maid of Honor is as well as the Best Man. How did the bride and groom come to know each of them? How did they pick their other attendants (assuming there are more)? Who else will be at the wedding that is special to either of them? If you have a second meeting with your clients, you can dive deeper, but for now, try to understand how everyone fits together.


This information will prove helpful on the wedding day, unlike any other you can gather. You will know who knows who and who you can turn to for help in gathering the party for pictures. I’ve also found the group appreciates your efforts more when they know you understand the nuances of family dynamics. It shows you’re more than just another hired hand, you’re someone who actually cares about doing your job well and reflecting the joy of the day.


It also helps to keep in mind who you work for during the wedding: the bride and groom. They are most likely the ones who hired you and the ones who you answer to. Knowing how the family works, even at a surface level, will help you address the pushy or overbearing relative who insists, ?You need to be shooting more pictures of the groom’s side of the family.? Having been warned about crazy Aunt Martha and her dislike of the bride will aid you in smoothing over the situation while still getting your job done for your clients.


While it is not a vital step, taking time to understand the relationships of those attending a wedding you are shooting can help make the special day go smoother from a photographic standpoint. You’ll get blindsided less and have a chance to relate better with those attending, often making a stressful situation seem relaxed.


Post from: Digital Photography School








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